Beethoven Symphony No. 1 in C major, op. 21 (Gardiner/ORR)

stradi cuatro
stradi cuatro
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Publicado 2012-01-11
Beethoven Symphony No. 1 in C major, op. 21
1. Adagio molto - Allegro con brio
2. Andante cantabile con moto
3. Menuetto: Allegro molto e vivace
4. Adagio - Allegro molto e vivace

Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner
Snape, nr. Aldeburgh, Maltings Concert Hall
3/1993 (live)

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Todos los comentarios (21)
  • @jeff2446
    This entire set of symphonies conducted by Gardiner, which I also own, is my favorite. Of course there are plenty of other excellent versions out there, both with and without period instruments.
  • @fosterpilkington
    Beethoven. Sure he's made me better songwriter after studying him Often find myself on a Beethoven binge after listening to his lesser known contemporaries.
  • @carlosmighty
    One of the best 1st smphonies i have ever heard. Gardiner at his best.
  • @CanChrisSolve
    Studying this for AS music, and I'm so glad of it!
  • @CasaStoo
    Beautiful! !!! I like soo Much !
  • @alanspaeth2530
    I am continually astounded that some people insist on making relative comparisons of composers and works as though they are making objective statements. Rather, it is always a statement about the preferences of a person's own nervous system. Anything beyond that is egocentric at best - projecting one's own preferences out onto the universe.
  • @ruppazzo90
    il flauto a 11:45, e per ogni risposta che da, è incredibilmente stonato.
  • @pipestud3corncobpuffer785
    Everyone focuses on Beethoven, Mozart or Haydn, but we forget composers like Romberg, Erbel, Vanhal, Clementi, Ries, Mehul, Wranitzky and Cartelieri. And. it was these composers whose works and orchestration really capture the sound and emotions of the era. The recording industry has spoiled our ears, because the musical sounds were far more raw back then. Take Romberg's Second Symphony, for example. It really hits you in a way that is quite the opposite of the emotional response we have to the more refined Beethoven or Mozart. Please don't misunderstand, I'm not dissing these composers, but Beethoven and Mozart wrote for and had associations with the aristocracy. Private composers so to speak. Whereas a composer like Romberg wrote for themselves. It's akin to Russia's Mighty Five of the 19th Century. Their output was much more crude sounding than the Western influence we hear in their rival Tchaikovsky.
  • @ratzlp0li
    blows mahler and brahms out the water!