Hozier - Eat Your Young (Official Video)

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Published 2023-04-05
Official video for “Eat Your Young” by Hozier

Listen to ‘Eat Your Young’ out now: hozier.lnk.to/eyy
Listen to the ‘Unreal Unearth’ album: hozier.lnk.to/UnrealUnearth

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Lyrics:
I’m starving, Darling
Let me put my lips to something
Let me wrap my teeth around the world
Start carving, Darling
I want to smell the dinner cooking
I want to feel the edges start to burn

Honey, I
Want to race you to the table
If you hesitate

The getting is gone
I won’t lie
If there’s something to be gained
There’s money to be made
Whatever's still to come

Get some
Pull up the ladder when the flood comes
Throw enough rope until the legs have swung
Seven new ways that you can eat your young
Come and get some
Skinning the children for a war-drum
Putting food on the table selling bombs and guns;
It's quicker and easier to eat your young

You can’t buy this fineness
Let me see the heat get to it
Let me watch the dressing start to peel
It’s a kindness, Highness
Crumbs enough for everyone
Old and young are welcome to the meal

Honey, I'm
Making sure the table’s made
We can celebrate
The good that we’ve done

I won’t lie
If there’s something still to take
There is ground to break
Whatever's still to come

Get some
Pull up the ladder when the flood comes
Throw enough rope until the legs have swung
Seven new ways that you can eat your young
Come and get some
Skinning the children for a war-drum
Putting food on the table selling bombs and guns;
It's quicker and easier to eat your young

Director: Jason Lester
Producer: Laura Burhenn
Production Company: Our Secret Handshake
Cinematographer: Gus Bendinelli
1st AC: Q Rodriguez
1st AD: Matthew Sanchez
Gaffer: Chase DuBose
Key Grips: Armando Vasquez, Jr, Adrian Ramirez
BBE: Ethan Waddell
BBGs: Nam Le, Yaxkin Garcia
Puppet Fabricator: Handsome Devils Puppets
Puppeteer: Han
Production Designer: Ava Jones
Leadman: Talyn LaTour
Set Dressers: Katie Carey, Lexi Contreras
PAs: Nolan Tiongco, Brittany Bennett
Choreographer: Jillian Meyers
HMUA: Helen Jeffers
Stylist: Cristina Acevedo
Stylist Asst: Katie Miles
Editor: Jason Lester
Colorist: Gus Bendinelli
VFX Artist: Alex Familian for Neon Pig
Commissioner for Columbia Records: Bryan Younce
Columbia Records: Betsy Whitney, Sarah Flanagan
Island Records: Charlie Smith
Rubyworks: Niall Muckian
Hozier Management: Caroline Downey
Director Rep: Cheyenne Shannon for Lark Creative
BTS: Eric Longden
Shot on Kodak 16mm Film
Special thanks to Bob Baker Marionettes, Standard Camera & Fun Ton

CAST
THE MAN: Andrew Hozier Byrne
THE WOMAN: Ivanna Sakhno
THE BOY: Sawyer Puranen
BACKGROUND: Armonn Livingston, Bailey Bursteen, Christine Martin, Dana Dubovsky, Edy Arreaga, George Brooks, Jamilee Abucay, Joe Integlia, Judith Oehman, Julian Solis, Karena Ardaji, Kurt Zierlein Garcia, Lily Moffet, Lola Harkrider, Luis Lopez, Mariana Leal, Mary Grebing, Meg Darbourne, Michael Tyrone Delaney, Olivia Puranen, Porsha Sales, Quincy Stemp, Ranen Warren, Remi Harkrider, Rhoda Pell, Sam Clauder, Samira Winter, Savannah Meetes, Sonali Chugani, Stephanie Roos, Steve Sakai, Theresa Krosse, Tuuli Sandvold

#Hozier #EatYourYoung

All Comments (21)
  • I love how they depicted that the war 'ate' his hand and how his anger at her 'ate' her emotions and how they 'ate' the child by forcing him to be something else. Hozier has such a nuanced way of depicting a vicious cycle that society forces us into.
  • It always amazes me how Hozier's songs become even more alive and real through their music videos. When I think a song can't get any better, a music video comes out for it and proves me wrong. Truly powerful. I love it.
  • @darcim8737
    Love it when Hozier is Mad and Political, gotta be one of my favourite Hozier's
  • @vhs3760
    wow. the husband leaving for war, the mother turning to stone, the anger that grew in the child from being guided away from true interests and towards traditional masculinity. showing him in a worker uniform before he was gone. the tantalizing glimpse of something red in that little fridge which sent the children scattering away from the puppet show. nice job, everyone involved!
  • @singsins
    lesbians gather, the father is feeding us
  • @nobreadnojam
    Quick analysis because I love Hozier's art and this vidoe is just great. About the performance, it starts from the guy and the girl meeting and falling in love. they then proceed to unveil each other's wardrobe. or 'costumes.' focus on how they themselves don't choose the costumes, its the other, this can refer to the expectations we put on the other person regarding their mesculinity/femininity. the way this is choreographed and runs smooth can show that we most often let others, even if it may be our partner define or limit our masculinity/femininity, like it is expected of them. Hozier's costumes get him into the role of the someone who is more hands-on with their work. like a typical male they are also only work attires (enforcing man as main breadwinner of the family) while for the lady she's wearing what may be a nurse uniform or a chef or just in a dress (role of a housewife) which shows her role as the nurturing female. Hozier, dressed as a solider goes off to war, again something which may be expected of him. The couple part and the woman is starts to beautify herself by painting herself as aphrodite. (the statue in front of her). this is enforcing traditional masculine/feminine roles on them again and again. Hozier comes back with an arm missing and when his lover greets him his reaction is not the most welcoming. This could be the aftermath of the war. this could be just his envy that while she was at home he had to go out and he gave a part of himself too. (point is, he's not happy) Venus de Milo (the statue on the table) doesn't have arms, the woman looks at her and then she's seen removing her arms too (not sure how THIS worked. did she cut them?) it could metaphorically show her attempts and efforts to become a 'perfect' female. or just one who was the most beautiful. This could also show (and this is only my interpretation) her response to her husband losing his arm. to maybe sympathise with him. to swooping down to meet him (can this reflect on her trying not to hurt the male ego? i dont know.) But she does meet him, it's shown in the performance that the kids are watching when her arms goes to touch his. hozier then, will embrace his lover and show affection (interesting tangent on how he won't show affection when she was in a better 'place' than him and now that she isn't and now that she has embodied aphrodite fully (i.e. reached peaks of femininity idk?) he's then comfortable to show love. cue: child, who is revealed by the woman. and when hozier the father) goes to meet him the exchange is not the most warm. The father only shakes the little boy's hand and almost is looking down at him. this is not the interaction between a boy and his father. the father is wholly treating it as meeting another man. an adult. and when toys are revealed to the boy and he goes for the doll before anything else the father gets mad. he snatches it and throw it away. he's teaching his son how to be a 'man' (cue: toxic masculinity) the boy grows violent and starts smashing all the toys (because he wasn't allowed to express himself fully) while the mother does nothing until grabbing the boy's arm and putting the cloth over it. same arm his father also lost. this could show how both the parents are enforcing these roles and expectations on the boy while he's really too young to understand or retaliate. (the lyrics, seven new ways that you can eat your young, fits so well because this sis showing how youth gets destroyed. how trampling on their individual egos and personas while trying to make this cliche traditional story for yourself and imposing it on other only will eat away at your young.) the father unveils the costumes of the young boy then. which are all similar to the ones hozier was wearing at the start. the boy has been molded into this shape created by his parents and the society. thank you for coming to my tedtalk.
  • @FD-ek2li
    I love that even when the curtain falls, the child is not included in the final bows, as if his destruction, or consumption as the title/fridge/hook suggests, is a real-life consequence of the play. Incredible work as always 🤍 I can’t wait to see what else Hozier has in store for us.
  • @killerpea
    I... words escape me. He has raised the bar so high for himself after this. I feel I'll need to watch this about 8 more times to peel all the layers. It's so beautiful. It's so good. I'm so happy he wasn't afraid of doing something different. This is why he keeps me hooked (no pun intended).
  • I feel like I haven't even begun to understand it, but I love the way the kids and adults have such different reactions when they're pretty much watching different versions of the same show. I think I'll just keep watching it. Edit: Monsieur Dorgat has a great analysis in the replies
  • @nercolord3512
    As a songwriter and poet myself, I find it hard to express my emotions as clearly and creatively as this beautiful man. His work really highlights parts of the human experience I think we all at some point or another experience and it not only exceeds my expectations, but raises them to a level I feel no other artist has ever reached. Bravo.
  • I often find myself wondering how this man could ever come close to the bar that he’s set for himself and yet he somehow continues to raise it every single time he releases Absolute work of art
  • The fact that he chose Ivanna as a co-star for this M/V makes it so much more meaningful and important to me as a ukrainian fan. Hozier is just so considerate and always pays attention to the details. True artist 👏
  • @hozierupdates
    The message behind it, I’m amazed. This is absolutely Hozier-like, just wow.
  • Gorgeous on every level. It might be a weird compliment but a) I really appreciate how Hozier chooses such interesting video concepts AND appears in them himself, and b) he’s clearly gotten more comfortable with filmed appearances and choreography! What do I call that, parasocial pride?
  • @YouTube
    now this is a PRODUCTION 🎥
  • I'm so grateful to be living at a time where I can see and listen to masterpieces such as this
  • wow... a cinematic masterpiece which needs multiple watches to unpack all the levels of meanings. the woman turning herself into sculpture to resemble an injured husband is such an accurate depiction of what survival syndrome feels like. love from Ukraine ❤ (and Ivanna Sakhno, a Ukrainian actress, is incredible here) UPD: love how at the beginning when the couple picks their costumes they start with the wardrobe of the opposite gender, and later their son goes for a doll first when he gets to pick up toys... as if deep down the parents would like to break the traditional roles imposed by society, but it's so deep already that they subconsciously accommodate to them, and then force the boy to accommodate
  • @RaurXDberry
    Hozier isn't a musician he is a artist It not just a show it's a experience 😌
  • @katiethewise
    I love the fishhook at the end of the video. It shows that when the children finally get up to go watch the play on the other side of the room, they are not being tricked into it, but rather, they voluntarily are seeing the play that displays bloodshed and suffering, just like how if a fish were to bite onto a fishhook without a worm, the fish wouldn't be being tricked into latching onto a hook where it will inevitably die, it chose to go that path. I feel like this is all a symbol for the fact that war is so glorified throughout childhood, that the cycle is going to happen and happen. We are shown pieces of war and pain in ways that seem appealing to us as children, just so we see war in a good light and further continue the cycle.
  • @Didi_tma
    The song and video both are so perfect with their story telling. This is truly what arts ought to be