Did Aphex Twin cross the line? "XTAL" How was it made?

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Published 2024-02-11
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All Comments (21)
  • @DelFlo
    The foundation of the track is that chord progression, which wasn't even in the original sample. So yeah it's obviously heavily relying on the sample but Steve saying that it is basically the same track is just nonsense.
  • @flyingsteaks
    that guy is just mad that Xtal is 1000x better than Evil at play
  • @knastvogel
    “All the good music has already been written by people with wigs and stuff.” —Frank Zappa.
  • @hiddentechno8266
    Apart from the fact he was likely a teenager at the time, that's basically how samples were used at that time. It was only after a few high profile rap artist were sued it became more of an issue and people started trying to hide the source of the samples. The 80s were different.
  • @guitarmogul762
    And Evil at Play is basically someone singing the Star Wars theme tune over a pad ..
  • @RegebroRepairs
    "Our tune?" It's literally just two notes. Should he have cleared the sample? Legally, yes. Morally I think it such a good example why copyright is stupid.
  • @atommachine
    No line was crossed, creativity was marinated with More creativity of the highest order. Different Times.
  • Great video! AFAIK the copyright dispute was settled about 2 years ago and the original artists got 50% credit for the song.
  • @hvyhttrs
    many folks say it's pronounced as "crystal"
  • @nevonitay
    If i was that guy I'd cry tears of happiness because Aphex Twin sampled my song
  • @YoungNino2017
    hu? The whole premise is flawed... the record he sampled for Xtal is a record MEANT to be used as a sound library and thus sampled. What is this guy talking about... what can't actually be the guy who made that record.
  • @bbcocallaghan
    as someone who is both a traditional musician (eg playing instruments in bands) and an electronic producer I always feel conflicted about this. 40% of the music i heard in my teens had the amen in it (in fact i am listening to it now) and the drummer (Gregory Coleman) died homeless .i can't help but feel that is wrong no matter how many great tunes it gave us
  • @discothequeplus
    I thought Aphex Twin used a entire full enormous track, BUT IT'S JUST A LA´LA´LA! JESUS CHRIST STEVE! WHAT WERE THE CHANCES OF YOU BEING LISTENED TO AROUND THE WORLD WITH A LALALA TRACK? I bet AT didn't get rich because of this track.
  • These videos are soooooo good, dead interesting and informative with nice little tips here and there. And the tune selection is great for someone as old as me.who loved them the first time around. Great job👍
  • @mattrix5970
    Another inspirational Ableton tutorial. Every one of the videos you have been making recently are my favourite ever tracks, please keep them coming!
  • @j-star1
    Amazing breakdown, keep up with the content!!!
  • @Skanking-Corpse
    Bleeps and Bloops did a hardware only cover of the song and there is so much more to that track than just that short sample. It's easy to recreate it now, but think about the work involved when Richard made it 30 years ago on equipment that wasn't as user friendly as today. Evil at Play is basically just a short ambient track you would hear for maybe ten seconds in a movie or tv show, there's no real structure to it. Richard turned that short sample into a full song that is way more complex than the source.
  • @YoungNino2017
    If you use Dexed as the DX7 you can get the exact same preset he used, it's called String5 I think
  • @paultapping9510
    XTAL is my morning alarm, nice to get so much indepth info on a tune I am now very familiar with!
  • @WhenIWasAKitten
    A track can still be based around a core sample and yet be transformative enough as demonstrated by Xtal and countless others to stand up in their own right.