Consolations, S. 172: No. 3, Lento placido
129,864
Published 2020-10-08
Consolations, S. 172: No. 3, Lento placido · Khatia Buniatishvili · Franz Liszt
Labyrinth
℗ 2020 Sony Music Entertainment
Released on: 2020-10-09
Producer: Nicolas Bartholomée
Unknown, Recording Engineer: Hugo Scremin
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All Comments (21)
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i have been searching for this song for ages from my yamaha demo keyboard when i was 5
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Heard this for the first time in "A Man Called Otto". I am in awe.
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One of the Most Superb moments in Piano. Brava Khatia. Bella .
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Absolutely gorgeous from a gorgeous pianist.
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Nunca antes se había grabado una versión con tanta ternura y sublimidad!!! Magistral Khatia!!
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I remember the 5th of conservatorio when I was playing the List's Consolations ❤️... Wonderful performance Kathia 🌹
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Bravissima Khatia 👏
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Interprétation remarquable, bravo à K.B.
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Лучше Горовица не слышала исполнение этой прекрасной музыки!Светлая Память Гению!!!
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Khatia!!!, hello again!!!, This piece is one of the ones that I told you is my favorite!!!!, wonderful and even more your interpretation that resonates beyond this dimension towards other higher ones. Thank you
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its juuuust breaaaaath taking! thanks Khatia for such deeep emotions! დიდი მადლობა
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Sublime! Divino! Maravilhoso!
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He estado esperando escuchar esta versión mucho tiempo, gracias Khatia!
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oh, my ❤️ khatia . that is absolutely a charm and just what i needed. so soul soothing it is. 👑 🤍 love david
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KB plays FL as though she took lessons from the man himself.! Interpretation par excellence.
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საღამო მშვიდობისა კათია, მართლა ბოდიშს გიხდით ბევრი შეცდომისთვის, აღარ მინდა შეგაწუხოთ, ამიტომ გილოცავთ შობის ბრწყინვალე დღესასწაულს. იზრუნეთ საკუთარ თავზე და თქვენს პატარა გოგონაზე. ვიმედოვნებ, რომ მექნება სიამოვნება შეგხვდე ერთ დღეს თქვენს ერთ-ერთ კონცერტზე, როცა ამის საშუალება მექნება! 🎅🌲🐘
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Khatia, for ever passion
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Its like magic ❤️🥲🥲🥲
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As you listen to this, Stewie gets barfed on continuously.
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Schon jetzt eine Vorfreude für mich, diese Töne wie ein Labsal zu trinken, falls mich mein Morpheus nachts mal kurz verlässt, weil er zum Klö-chen muss. Beim Hören dieser Labyrinth-Serie begann ich zu verstehen, für wen jede Sprache auch über einen Superlativ verfügt: für Menschen wie Bach, Buniatishvili oder Beethoven.